Showing posts with label karen mctavish. Show all posts
Showing posts with label karen mctavish. Show all posts

Tuesday, June 16, 2015

Karen McTavish

If I think of all the people I have met in the past year who have inspired me to try new things or who have shown me a new way of doing something or who have just cheered me on along my free motion journey - it really makes me feel a bit fuzzy. In the past year I met two people whom I think so highly of that I felt honored just to be in the same room as them. And the amazing people I have met through the wonderful guild I am a part of (NYC Metro Mod Quilt Guild) I have met so many wonderful and super talented people who I deeply admire for their work and vision.

Back in August last year I met the really fun & charming Luke Haynes. And in February of this year I traveled to Wisconsin (in heaps of snow) to meet the amazing Karen McTavish. Karen is one of the reasons I got a longarm. I had seen a video of her McTavishing and her movements and designs were so fluid and gorgeous that I thought 'that is what I want to do'.
 
Wisconsin was really REALLY cold this February (-32F!).

T-shirt at the airport spoke the truth .....

The glowing wood stove was blissful!!


Meeting Karen was so strange. I was way more excited to meet this lady than if the young John Travolta arrived on my doorstep.

We went over McTavishing (I've been doing it all wrong!) We went over Victorian Feathers (I was doing that right) we talked about where I want to go with my quilting, competing (eek!), we watched TV together while she taught me how to trim trapunto and she fed me and opened up her home to me for two days while her son tried to imitate my English accent.

 
 
Karen has coined this injury sustained by trimming trapunto 'trapunto thumb'. 

 

I learnt her love of all things skulls. Her quilting on this piece is SO beautiful.



I was both in love with and terrified of this big boy - an English Mastif - the biggest dog I've ever met who was a total softy but had just a 'slightly' intimidating woof.


 We played with hundreds of stencils (i.e. I threw them everywhere ...)


 .... and Karen guided me through designing my first whole cloth.

 




It was seriously wonderful 2 days!


I feel blessed to be meeting so many wonderful people whose inspiration, work and kind words help me push myself just a little bit further with every project.

Karen has recently opened up her new quilting studio in Duluth where you can rent a longarm or take classes from her. If you can go and visit her do!

Monday, April 27, 2015

Portrait Quilt

I'm really struggling with blogging at the moment - I hear others say the same - but it really is a time sucking sport. I seem to have a lot of quilt requests at the moment which makes me more than aware of the time I'm spending away from my ever 'speeding to adult hood' little bunnies. This quilt however really deserves a little narrative.


I never thought I wanted children. Children plain scared me. When I fell pregnant with my first child I was petrified. I remember crying in check ups. The ultrasound pictures scared me. I remember standing in prenatal yoga and being asked to touch my belly and 'be at one' with my unborn child - to feel lucky - I didn't feel lucky I felt purely petrified. I barely made it through prenatal classes - in fact I turned to my husband at one point and said 'if I have to watch one more video I'm going to cry'. I didn't know what it was to have a child. I didn't know how it felt. I didn't know that the moment I saw her that I would fall so deeply in love that the past 9 months of petrification would melt away into pure awe. I didn't know that having her would be so much, mean so much. Since this little bundle arrived I've become addicted to the little people. I have 3 beautiful children whom I couldn't adore more - despite their tantrums and their insistence that my cooking is 'yuck'. I'd love to have more (i.e. read 'begged until all dignity is gone) but my husband insists that that shop is now shut!


So finishing this quilt which I have been saving the pajamas for for 6 years now (although I have only used the first 3 years of pj's in this one) marks something for me. Love - for sure - but also a strange confidence that I finally found to know that I could cut up theses precious things and do them justice. And sadly due to my mean husband that there will be no more little people coming along to dress in these cute clothes.

Can you spot Tinkerbell?

There was some distress from Bunny#2 when she saw her favorite Ariel Pj's had been included!

A huge thank you to my hugely talented friend Luke Haynes who taught me how to construct portrait quilts.



A huge thank you to my new equally as talented friend Karen McTavish who told me 'don't not do something just because you are scared' ... I will be taking that mantra to my grave.

And a big thank you to Michelle Jackson who's wonderful work I fist saw in my favorite Machine Quilting Unlimited and she showed me a different way to quilt portraits with tiny bubbles. I love the effect Michelle - thank you!!



I love this quilt.

And I love this little girl.

Tuesday, September 2, 2014

Groovy Curvy Quilt

This quilt top was put together by the lovely Maria. You can see some other of Maria's quilts here and here. Maria's quilts are a dream to work with. Her piecing is wonderful, the colors she works with are amazing and her backs and put together in a way (1/2" seam allowance pressed open) which makes me as a longarmer swoon with gratitude.


This is a quilt pattern called "Groove" by Carolina Patchworks.




The other wonderful thing about Maria's work is it is nothing like any quilt I would make - they are more modern and bold than I would ever dream to try - they are divine and they take me in new direction that challenge me to think and maybe do things that I might not do if not pushed in that direction.


I have found that I really enjoy matching threads. Superior had threads in their SoFine range that matched perfectly to the colors Maria had used.

Solid colors really show the quilting designs AND they will show every mistake you make. Patterned fabrics are more forgiving to those little mistakes you might make. If you want to start freemotion quilting - you might find that you will be more relaxed and pleased with your results if you begin by using patterned fabrics.


Maria wanted a different design on each section (but no feathers!)


There are 17 'sections' to this quilt - so that is 17 patterns I needed to think of - and because the quilt has that sort of retro feel to it I wanted to use patterns that had a bold look to them - curves beside straight lines beside flowers etc so that each block of color complimented yet contrasted the one beside it in texture, size of design and color.



I mark very little when I quilt. The most I do is dots at each corner of a 1.5" or 2" square stencil grid (I purchased mine from the Longarm University.) The dots help me keep my designs straight & evenly spaced. I have mentioned in the list below if I mark to help keep the design on track. I use a dissolvable marker when I mark (the blue cheap as chips sort) - I use a very light touch when using them - and I keep a spray bottle of water on hand for when I have finished that area.

All these patterns are suitable for freemotion quilting on your domestic or longarm. From the top of the quilt down we have:

1) Basic Paisley/Teardrop Meander (white) for paisley ideas check out Leah Day's paisley tutorial and other ideas for the design or AQPS call this the Crybaby Meander is a very clear tutorial.
2) Checks (orange) - this design was created by making 1.5" squares  with straight lines (connecting my marked dots) and then going back on the diagonal filling in every other square with something like a Cursive F pattern.
3) McTavishing (mauve) - Karen McTavish is my quilting hero - buy her books - search for her techniques on the internet. It is such a wonderful technique and looks amazing on anything. 
4) Flower Power (burgundy) - I learnt this pattern in Angela Walters Craftsy class Machine Quilting Negative Space - you can also find this pattern on Pg 67 of her book. It is a surprisingly easy pattern that fills quickly and enables you to move around easily.


5) Diamonds (yellow) - diamonds made with straight lines (connecting marked dots) and then every other diamond is filled in using straight lines back and forth.
6) Echo P's (burgundy) - This is a more rigid version of a design I spotted on LuAnn Kessi's website.
7) Spirals & Pebble mix (pink) - cluster of 3 spirals together surrounded by pebbles
8) Echo Shells (white) - a trusty pleasing pattern you should definitely be in your 'go to' designs. Leah Day has a tutorial for this design too. I have found it does take practice to make it look really good - and I still feel I need to master this one. I think I will try marking with dots in future with this pattern.


(I really love the diamonds.)



9) Orange Peel (white - above) - I mark with dots for this design. (There are also some really cool variations of this design that you can play with if you are looking for something more advanced to try.)
10 Spirals (mauve - above) - spirals are great and can transform into lots of really cool designs.
11) Wavy ripples (orange - below) - LuAnn Kessi calls this design hairbands. It is a very quick and simple design to use.


12) Suns (yellow) - this is a design from Sheila Sinclair Snyder's book Get Addicted to Free-motion quilting. The design is on page 20 of the book and is called Spurs with curves. (This is a great book by the way!) This is the first time I have used this design on a quilt but I really like it.


12) Retro Flowers with pebbles (mauve) -  design is adapted from a design I saw in Pg 9 of Machine Freehand Patterns by Nan Moore. This book is hard to find check out 2nd hand book stores and e-bay to snag a copy.


13) Greek Key squares (orange) - I mark with dots for this design. This design is hard - both in judging the squares, keeping the lines equal and being able to move around easily without becoming stuck. But once you have figured out the 'secret' it does get easier. I can not find a tutorial for this one - perhaps I should do one?


15)  Lines (white - above & below) - My lines on Maria's quilt are softly curved. I find lines really really hard - straight or curved with a ruler or without - they are my top thing I struggle with. I do not know why people perceive lines to be easy. They are not. If you are working on a longarm you can use a ruler which will help you massively (supposedly - I must not be using mine right!). Handiquilter has a detailed presentation on rulers here.
16) Mermaid scales (burgundy) - This is an upside down and echoed version of Leah Day's Sashiko Shell. I spotted this echoed version on a recent quilt of Angela Walters that you can see here.
17) Pebbles (orange) - another great design that can take you anywhere and fill in and surround anything. There are many different ways to make a circle while free motion quilting - you should go with the way that makes most sense to you.


Would you like to see the back?



Friday, February 7, 2014

Diary of a Long Arm: Week 4 - McTavishing

Karen McTavish was actually the first person I saw using a longarm who's work captured my attention and made me think 'I want to do that'. Her work seems effortless, organic and flowing. My dream would be to become a quilter of this standard - maybe after 20 years of practice? I've been practising McTavishing on our latest Kid Painted Art Quilt - Watercolor Circles. It was such a fun piece to quilt - I just went for it. I've now become obsessed with negative space in quilts!!